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dir. Janusz Opry\u0144ski [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”fot. Tomasz Ostrowski” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#000000″ text_font_size=”1.3em” text_line_height=”1.8em” header_font=”Abril Fatface||||||||” header_2_font=”Playfair Display|700|||||||” header_2_text_color=”#000000″ header_2_font_size=”1.9vw” header_2_line_height=”1.8em” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|tablet” max_width=”50%” max_width_tablet=”50%” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”right” custom_margin=”||||false|false” custom_margin_tablet=”-60px||||false|false” custom_margin_phone=”-52px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” text_font_size_tablet=”2.3vw” text_font_size_phone=”3.5vw” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.7em” text_line_height_phone=”1.5em” text_line_height_last_edited=”on|phone” header_2_font_size_tablet=”7vw” header_2_font_size_phone=”8vw” header_2_font_size_last_edited=”on|phone” 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header_2_line_height_last_edited=”on|phone” header_3_font_size_tablet=”19px” header_3_font_size_phone=”19px” header_3_font_size_last_edited=”on|desktop” header_3_line_height_tablet=”1.3em” header_3_line_height_phone=”1.3em” header_3_line_height_last_edited=”on|desktop” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|desktop” text_text_align=”center” locked=”off” global_colors_info=”{}” width__hover_enabled=”off” sticky_enabled=”0″]<\/p>\n Before the premiere I spoke with Janusz Oprinski the author of the adaptation and the director of the play: Janusz Oprinski: <\/strong>There is no answer to the question of whether this is the point. But this is actually my third implementation. When I was in high school, I used to watch Vida's devils. Perhaps I didn't understand much at the time, but I got a powerful charge of emotions. I always find this charge of emotion in Dostoevsky. Then I learned, I think I learned to listen to these dialogues. Professor Wodzinski, who taught me, saw there a certain Socratic method of asking questions and not ending the world. Therefore, this Dostoevsky seems to me to be a constantly important space in which the world of today is viewed.<\/p>\n<\/blockquote>\n Yes, but I leave that to the viewer. I want to convey this passionate dialogue, a heated dialogue. Let people watching the show find the problems of the world today in themselves.<\/p>\n<\/blockquote>\n Jacek accompanies, or rather I accompany Jacek, from the very beginning when I appeared in the existing PROVISORIUM Theatre, This is the story of our third stage. First there was the alternative theatre, the student theatre, the politically rebellious theatre. Then there was cooperation with KOMPANIA \"TEATR\", where we made, it seems, a few successful productions, such as \"Ferdydurke\" and \"Transatlantyk\" by Gombrowicz, or \"Do piachu\" by R\u00f3\u017cewicz, and then there is my next stage, probably the third one. Anyway, here in \"Bies\" there are actors who repeat themselves in my productions: Slawomir Grzymkowski, who will play Stavrogin here, \u0141ukasz Lewandowski, who will play Piotr Wierchowie\u0144ski, also Agata G\u00f3ral. Let me remind you that these are the actors who were in 'Point Zero. Graceful' by Littell. Jacek Brzezinski is also now with us playing such a character composed of several people: Liputin, Shigalev but also Fedka. He has very aptly portrayed these characters.<\/p>\n<\/blockquote>\n I think they are attracted to the literature that we choose, that it is the text. The power of the text. I'm not afraid to say it, these are literary masterpieces. And this is a certain difficulty, because a literary masterpiece can ridicule us. In this work, we allow ourselves such an extended creative process. There is room for contextual reading. It connects us and builds us up. The process of making a show is the president of some self-education. Afterwards, I hope that the shape we come up with is the fulfilment of the dreams we had in rehearsals.<\/p>\n<\/blockquote>\n Yes, these were complementary readings. First of all, Mikhail Bakhtin, who was the author of the genre of the polyphonic novel..<\/strong> He has discovered it. It is brilliant. It can be studied endlessly. But he is also a rebellious man. This is Albert Camus. It's also Milosz's The Land of Urlo. It is Andr\u00e9 Gide and many other authors. It is also Heidegger, who said: \"Is there something or nothing\". These are insanely important contexts to choose from, to match with Dostoevsky's important themes.<\/p>\n<\/blockquote>\n And I thank you.<\/p>\n<\/blockquote>\n [\/et_pb_text][et_pb_text admin_label=”-Post-Text-” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#000000″ text_font_size=”1.3em” text_line_height=”1.8em” header_font=”Abril Fatface||||||||” header_2_font=”Playfair Display|700|||||||” header_2_text_color=”#000000″ header_2_font_size=”1.9vw” header_2_line_height=”1.8em” text_orientation=”justified” width=”99.9%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|tablet” module_alignment=”center” custom_margin=”29px||||false|false” custom_margin_tablet=”-2vw||||false|false” custom_margin_phone=”0vw||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||0px|0px|false|false” text_font_size_tablet=”2.3vw” text_font_size_phone=”3.5vw” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.7em” text_line_height_phone=”1.5em” text_line_height_last_edited=”on|phone” header_2_font_size_tablet=”7vw” header_2_font_size_phone=”8vw” header_2_font_size_last_edited=”on|phone” header_2_line_height_tablet=”1.7em” header_2_line_height_phone=”1.5em” header_2_line_height_last_edited=”on|phone” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|desktop” text_text_align=”center” global_colors_info=”{}” width__hover_enabled=”off”]<\/p>\n Social scandals, past crimes, political conspiracies and plans for revolution - Dostoevsky's world is thick with emotion. The writer was ahead of his time and today we view his masterpiece as in a distorting mirror. The madness of the text, the fervour of the dialogues show a world drunk with ideas. In the wake of the ambiguity of the writer's works, the play does not judge or point out the rationale.<\/p>\n Creators: Cast: The production is a co-production between the Dramatyczny Theatre and the Provisorium Theatre, one of the most important alternative theatres, which has always sought inspiration in outstanding texts from Polish and world literature.<\/p>\n [\/et_pb_text][et_pb_image src=”\/\/i2.wp.com\/photo-oto.com\/wp-content\/uploads\/2021\/02\/Biesy-2.jpg” title_text=”Biesy” align=”center” _builder_version=”4.16″ _module_preset=”default” custom_margin=”9px||11px|||” custom_padding=”24px|||||” border_width_all=”15px” border_color_all=”#ffffff” box_shadow_style=”preset1″ box_shadow_color=”rgba(0,0,0,0.2)” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”\/\/i2.wp.com\/photo-oto.com\/wp-content\/uploads\/2021\/02\/Biesy-4.jpg” title_text=”Biesy” align=”center” _builder_version=”4.16″ _module_preset=”default” custom_margin=”9px||11px|||” custom_padding=”24px|||||” 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<\/em><\/p>\n\u201eBIESY\u201d <\/strong>Fiedor Dostoyevsky, directed by Janusz Opry\u0144ski<\/h2>\n
Premiere 13 December 2019 - Dramatyczny Teatr m. st. Warszawy<\/h3>\n
<\/em><\/p>\n<\/strong><\/h3>\n
Tomasz Ostrowski:<\/strong> As a teenager, you were fascinated by The Possessed, directed by Andrzej Wajda. Russian literature occupies a very important place in your work. These 'Bieses' here and now had to happen eventually.<\/h3>\n
\n
Dostoevsky's text was visionary in the face of later events in Russia (the October Revolution), but it is also timely in the face of current world problems: terrorism and totalitarianism.<\/h3>\n
\n
You were encouraged to join the alternative theatre PROVISORIUM in the 1970s by your friend, actor Jacek Brzezinski. You soon became the director of this theatre. Your friendship lasted for years. We see Jacek Brzezinski in your next premieres, we will also see him in Bies.<\/h3>\n
\n
I know that there is a group of actors who are very keen to work with you, and it is a little larger than the actors mentioned. What attracts them to you? After all, it's a completely different kind of theatre from the ones they perform in.<\/h3>\n
\n
During rehearsals, you support the actors with supplementary literature. You come with a bag of books to enrich individual roles.<\/h3>\n
\n
Thank you so much for the conversation.<\/h3>\n
\n
BIESY<\/strong><\/h3>\n
<\/strong>adaptation and directing \u2013 Janusz Opry\u0144ski<\/strong>
translation \u2013 Tadeusz Zagorski<\/strong>
music \u2013 Rafa\u0142 Rozmus<\/strong>
visualization \u2013 Aleksander Janas<\/strong>
costumes \u2013 Katarzyna Stochalska<\/strong>
set design \u2013 Jerzy Rudzki<\/strong>
producer - Barbara Sawicka, Dorota Stochmalska<\/strong><\/p>\n
<\/strong>Slawomir Grzymkowski \u2013 Miko\u0142aj Stawrogin<\/strong>
\u0141ukasz Lewandowski \u2013 Piotr Stiepanowicz Wierchowie\u0144ski<\/strong>
Marcin Sztabi\u0144ski \u2013 Aleksy Kiri\u0142ow<\/strong>
Maciej Wzcza\u0144ski \u2013 Iwan Szatow<\/strong>
Anna Moskal \u2013 Barbara Pietrowna Stawrogin<\/strong>
Mariusz Wojciechowski \u2013 Stiepan Trofimowicz Wierchowie\u0144ski \/ Tichon<\/strong>
Agnieszka Roszkowska \u2013 Maria Timofiejewna Lebiadkin<\/strong>
Adam Ferency \u2013 Kapitan Lebiadkin<\/strong>
Martyna Kowalik \u2013 Liza Drozdow<\/strong>
Agata G\u00f3ral \u2013 Daria Paw\u0142owna \/ Maria Szatow<\/strong>
Jacek Brzezi\u0144ski \u2013 Liputin \/ Fiedka \/ Szygalew<\/strong><\/p>\n
\nDrama Theater m.st, Warsaw. Premiere on December 13, 2019.<\/strong>
\n"...I think that they are attracted to the literature that we choose, that it is a text. Text strength. I'm not afraid to say this, these are literary masterpieces. And this is some kind of difficulty, because a literary masterpiece can make fun of us. In this work, we allow ourselves such a long creative process. There is a place for contextual reading. It unites and builds us. The process of staging a play is self-education. Then I hope that this uniform that we will come up with for ourselves is a dream that we had in rehearsals ...\u201d<\/em><\/p>","protected":false},"author":1,"featured_media":265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[447],"tags":[25,15,22,13,78,26,14],"class_list":["post-264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wywiady","tag-biesy","tag-fot-tomasz-ostrowski","tag-janusz-oprynski","tag-rozmowa","tag-rozmowa-z-januszem-oprynskim","tag-teatr-dramatyczny-m-st-warszawy","tag-tomasz-ostrowski"],"_links":{"self":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/comments?post=264"}],"version-history":[{"count":8,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/264\/revisions"}],"predecessor-version":[{"id":7595,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/264\/revisions\/7595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/media\/265"}],"wp:attachment":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/media?parent=264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/categories?post=264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/tags?post=264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}