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dir. Monika Strz\u0119pka [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”fot. Tomasz Ostrowski” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#000000″ text_font_size=”1.3em” text_line_height=”1.8em” header_font=”Abril Fatface||||||||” header_2_font=”Playfair Display|700|||||||” header_2_text_color=”#000000″ header_2_font_size=”1.9vw” header_2_line_height=”1.8em” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|tablet” max_width=”50%” max_width_tablet=”50%” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”right” custom_margin=”||||false|false” custom_margin_tablet=”-60px||||false|false” custom_margin_phone=”-52px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” text_font_size_tablet=”2.3vw” text_font_size_phone=”3.5vw” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.7em” text_line_height_phone=”1.5em” text_line_height_last_edited=”on|phone” header_2_font_size_tablet=”7vw” header_2_font_size_phone=”8vw” header_2_font_size_last_edited=”on|phone” 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header_2_font_size_tablet=”3vw” header_2_font_size_phone=”5vw” header_2_font_size_last_edited=”on|tablet” header_2_letter_spacing_tablet=”1px” header_2_letter_spacing_phone=”1px” header_2_letter_spacing_last_edited=”on|tablet” header_2_line_height_tablet=”1.7em” header_2_line_height_phone=”1.5em” header_2_line_height_last_edited=”on|phone” header_3_font_size_tablet=”19px” header_3_font_size_phone=”16px” header_3_font_size_last_edited=”on|phone” header_3_line_height_tablet=”1.3em” header_3_line_height_phone=”1.4em” header_3_line_height_last_edited=”on|desktop” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|desktop” text_text_align=”center” locked=”off” global_colors_info=”{}” width__hover_enabled=”off” sticky_enabled=”0″]<\/p>\n Diploma performance by students of the Acting Department of the Theatre Academy in Warsaw<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”off|off|off” admin_label=”2-Post-TEXT-Q&A” module_id=”foto-blockquote” _builder_version=”4.22.1″ text_font=”||||||||” text_text_color=”#000000″ text_font_size=”1.2em” text_line_height=”1.6em” header_font=”Abril Fatface||||||||” header_2_font=”Playfair Display|700|||||||” header_2_text_color=”#000000″ header_2_font_size=”1.9vw” header_2_line_height=”1.8em” header_3_font=”Baloo 2|600|||||||” header_3_font_size=”19px” header_3_line_height=”1.3em” text_orientation=”justified” width=”99.9%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|tablet” module_alignment=”center” custom_margin=”40px||40px||true|false” custom_margin_tablet=”-2vw||||false|false” custom_margin_phone=”0vw||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||30px|0px|false|false” hover_enabled=”0″ text_font_size_tablet=”2vw” text_font_size_phone=”3.5vw” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.7em” text_line_height_phone=”1.5em” text_line_height_last_edited=”on|desktop” header_2_font_size_tablet=”7vw” header_2_font_size_phone=”8vw” header_2_font_size_last_edited=”on|phone” header_2_line_height_tablet=”1.7em” header_2_line_height_phone=”1.5em” header_2_line_height_last_edited=”on|phone” header_3_font_size_tablet=”19px” header_3_font_size_phone=”19px” header_3_font_size_last_edited=”on|desktop” header_3_line_height_tablet=”1.3em” header_3_line_height_phone=”1.3em” header_3_line_height_last_edited=”on|desktop” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|desktop” text_text_align=”center” locked=”off” global_colors_info=”{}” width__hover_enabled=”off” sticky_enabled=”0″]<\/p>\n Before the premiere, I spoke to Monika Strz\u0119pka, the show's director:<\/em><\/p>\n The graduation year is a chance for young actors to have an impact with a well-written text. I have been drawn to Chekhov for some time. The supervisor of the year is Andrzej Domalik and, as you know, he is a Chekhov devotee. He also encouraged me to take up Chekhov. I was still considering Arthur Miler. I also thought about William Shakespeare, but the students of that year were already doing a degree in Shakespeare. I was still looking for contemporary texts. I read a lot. It's hard for me to make these decisions. I walk around with it like a chicken with an egg. Even when I was sure, I had to contradict myself. That is, two more weeks of walking around and still wondering if this is definitely the right decision.<\/p>\n<\/blockquote>\n We first met in January when I already knew it was going to be 'Platonov'. I looked at the graduating year students for a week. I chose 11 people, but there are more characters. Some actors play two or three characters each. I didn't know yet who would be who. I handed out the texts and left for three weeks. From 9 February we started working intensively.<\/p>\n<\/blockquote>\n We put a very strong emphasis on text analysis. I wanted them to get into the habit of doing this. You can discover very little if you don't do a decent analysis of the text. In my work, I've developed the habit of not being able to follow the author. Chekhov always said\" it's all written down there\" and it is indeed all written down there. It's such an adventure to take the text, dig into it and find the essential things, and you can have a lot of fun doing it. With the production of Platonov, I completely trusted Chekhov's text. This is not the first time that I have worked on a play without a dramaturg (Pavel Demirski). I have previously prepared diplomas in this way with students of the Krak\u00f3w branch of the PWST in Wroc\u0142aw: \"Wesele\" by Wyspianski (1915) or \"Love & Information\" by Caryl Churchill (2013). In the latter case, Pawe\u0142 Demirski was the translator of the text but not the playwright.<\/p>\n<\/blockquote>\n Here we left everything as it is in Chekhov's, no word from us. That was the assumption, but I also saw no other need. I am not one of those people who pride themselves on not making theatre that suits the author, on not destroying the text. In my case, if there is a need, then I add to it. Here there was no such need, such was the decision that it would be nice to follow the text, Chekhov.<\/p>\n The young actors do a good job with the text although it is far too long. If all the material were used, I think the performance would last about five hours. I still have the impression that we need to cut, but I have no conscience anymore, because now, at the final stage of preparation, the actors hold every line in their teeth and don't allow themselves to tear it out. They don't yet have this knowledge that a lot doesn't mean well. But this is an acting affliction not only of the students of this department, but of actors in general.<\/p>\n<\/blockquote>\n Our actors are already getting into the roles better and better. We're trying to get some of that juice into each role so they all have something to play. In the end, that's what it's all about, so they can show off. That's what the diploma is for. It's great when the performance is successful. We're still working hard and it's hard to judge whether we'll get everything right. It's obvious that it's better to watch actors in a good performance. For me, the number one function of the diploma is to be able to show the best of the students. I have to admit that the ones I have had to work with are very creative. At the beginning they were a bit rushed and now I can see these geysers bubbling out of them. At the beginning I had the impression that they didn't have the courage, or that they didn't have the habit and this is not true. We'll be judging the results of our work soon because the premiere is on 5 April 2019 and we look forward to seeing the performances.<\/p>\n<\/blockquote>\n <\/p>\n <\/p>\n PLATONOV<\/strong><\/p>\n The characters in Chekhov's drama feel the past on their shoulders. It is a burden they struggle with in their daily lives and against which they want to rebel. They cannot be stuck in the sense of complacency that characterised their parents' generation. They want to create a world that is better, more just, but because they do not have the tools to do so, capitulation is only a matter of time. They are like children who have been bequeathed the mediocre and unhelpful life's work of their fathers, and they have to face it...<\/p>\n Creators: Cast: [\/et_pb_text][et_pb_image src=”\/\/i3.wp.com\/photo-oto.com\/wp-content\/uploads\/2021\/02\/Platonow-SAM_5181.jpg” alt=”Platonow re\u017c. 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<\/em><\/p>\n\"Platonov\" <\/strong>directed by Monika Strz\u0119pka.<\/h2>\n
Premiere: 5 April 2019 Academy of Theatre in Warsaw<\/h3>\n
Did you choose 'Platonov' for the graduation performance of the students of the AT acting department because of the wealth of interesting roles and thus the great potential for interesting acting creations?<\/h3>\n
\n
How was the final cast selection of the play?<\/h3>\n
\n
In your theatre, working on the text is very important.<\/h3>\n
\n
So Chekhov's text was left without any interference? Does this mean that the play will be long, as usual with Chekhov?<\/h3>\n
\n
How young actors find themselves in their characters.<\/h3>\n
\n
Thank you for talking to me.<\/h3>\n
Author - Anton Chekhov<\/strong>
Translation - Agnieszka Lubomira Piotrowska<\/strong>
Director - Monika Strz\u0119pka<\/strong>
Scenography and costumes - Arek \u015alesi\u0144ski<\/strong>
Projections - Kornelia Dzikowska<\/strong>
Music - Mateusz D\u0119bski<\/strong>
Movement and body work consultation - Agnieszka Kryst<\/strong>
Assistant director - Agata Koszuli\u0144ska<\/strong><\/p>\n
Platonov \u2013 Jakub Kordas<\/strong>
Anna \u2013 Zuzanna Saporznikow<\/strong>
Nikolay \u2013 Karol Biskup<\/strong>
Sonya \u2013 Vanessa Aleksander<\/strong>
Sasha \u2013 Ma\u0142gorzata Koz\u0142owska<\/strong>
Mari \u2013 Aleksandra Boro\u0144<\/strong>
Wiengierowicz\/ Wiengierowicz-son - Kamila Brodacka<\/strong>
Sergei \u2013 Szymon Owczarek<\/strong>
Osip \u2013 Konrad Szyma\u0144ski<\/strong>
Glagolev \/ Shcherbuk \u2013 Jakub G\u0105sowski<\/strong>
Kirill\/Trylecki\/Pietrin - Mateusz Burdach<\/strong><\/p>\n
\nThe Collegium Nobilium Theater of the Theater Academy in Warsaw. Premiere: April 5, 2019.<\/strong>
\nDiploma performance by students of the Acting Department of the Theatre Academy in Warsaw
\n"We take text analysis very seriously. I wanted them to get into this habit. There's not much you can learn if you don't do a thorough analysis of the text. In my professional work, I have developed such a habit that I can't help but follow the author. Chekhov always said, "It's all written down there\u201d" and it's really all written down there. It's such an adventure that you take this text, start digging through it and looking for important things, and in doing so, you can have a lot of fun. When implementing Platonov, I fully trusted Chekhov's text..."<\/em><\/p>","protected":false},"author":1,"featured_media":51,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[447],"tags":[31,15,114,115,113],"class_list":["post-50","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wywiady","tag-akademia-teatralna-w-warszawie","tag-fot-tomasz-ostrowski","tag-monika-strzepka","tag-platonow","tag-rozmowa-z-monika-strzepka"],"_links":{"self":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":9,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"predecessor-version":[{"id":7632,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/posts\/50\/revisions\/7632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/media\/51"}],"wp:attachment":[{"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/photo-oto.com\/en\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}