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INTERVIEWS AND CONVERSATIONS ABOUT THEATRE

Conversation with Aleksandra Ożóg

the actress of the performance is closer to the clouds. I'M GOING TO LEAVE NOW.
Theater Academy in Warsaw. Premiere January 22, 2022

"I'm playing the role of Julia's fiancee. Very boring and thirsty girl. I think she craves more than anything else that she hasn't tried in her life yet. He shares his various hobbies on the roof. He fantasizes a lot, talks to animals and birds. And he wonders if this is it? Isn't it this one? He has to come back. Because we recognize it when we run to the roof ... ”

Interview with Slawomir Grzymkowski

with the actor of the play " the art of intonation”
Drama Theater in Warsaw. Premiere on January 8, 2022

.. working on this text once again gave me hope that theater based on acting skills and text, rather than effects, is once again possible. We worked very well together, but I believe that the team I created and the relationships I had throughout my work made me rediscover the theater. I started to get involved in the theater again. During the first period of the pandemic, I had a kind of theatrical crisis. Does the theater still appeal to people? Is the theater effective in any way?
 I already have this experience with the previous premiere of Tadeusz Slobodzianka's text " The fatalist. Singer's Fairy Tales in Act V". I think this show is also fantastic. And in him, the actor is also the essence of everything. Actor and text. 


Conversation with Ivona Kempa

director of the play teplitsa
Theater Academy in Warsaw. Premiere November 6, 2021

I think it's important for Tannahill that when she puts it in a given reality, she refers to the local context, so that each time she tries to create a collective portrait of young people that will be relevant in a given place and time. For me, this was the perfect material for a graduation performance. I felt that a suburb of Toronto might be a suburb of Warsaw…

Rozmowa z Aleksandrą Ożóg

Conversation with Aleksandra Ożóg

the actress of the performance is closer to the clouds. I'M GOING TO LEAVE NOW.
Theater Academy in Warsaw. Premiere January 22, 2022

"I'm playing the role of Julia's fiancee. Very boring and thirsty girl. I think she craves more than anything else that she hasn't tried in her life yet. He shares his various hobbies on the roof. He fantasizes a lot, talks to animals and birds. And he wonders if this is it? Isn't it this one? He has to come back. Because we recognize it when we run to the roof ... ”

Rozmowa ze Sławomirem Grzymkowskim

Interview with Slawomir Grzymkowski

with the actor of the play " the art of intonation”
Drama Theater in Warsaw. Premiere on January 8, 2022

.. working on this text once again gave me hope that theater based on acting skills and text, rather than effects, is once again possible. We worked very well together, but I believe that the team I created and the relationships I had throughout my work made me rediscover the theater. I started to get involved in the theater again. During the first period of the pandemic, I had a kind of theatrical crisis. Does the theater still appeal to people? Is the theater effective in any way?
 I already have this experience with the previous premiere of Tadeusz Slobodzianka's text " The fatalist. Singer's Fairy Tales in Act V". I think this show is also fantastic. And in him, the actor is also the essence of everything. Actor and text. 


Rozmowa z Iwoną Kempą

Conversation with Ivona Kempa

director of the play teplitsa
Theater Academy in Warsaw. Premiere November 6, 2021

I think it's important for Tannahill that when she puts it in a given reality, she refers to the local context, so that each time she tries to create a collective portrait of young people that will be relevant in a given place and time. For me, this was the perfect material for a graduation performance. I felt that a suburb of Toronto might be a suburb of Warsaw…

Rozmowa z Darią Wiktorią Kopiec

Interview with Daria Wiktoria Kopiec

director of the play Phaedra fitness
Theater Academy in Warsaw. Premiere on March 1, 2019.

Diploma work of students in Musical theater acting skills
"...The director who comes to the theater does not have such a sense of responsibility that everyone has to create one of the main roles. This aspect is quite important here. It seems to me that this form of statement and the text selection itself helped this decision. This text by Istvan Tasnadi gives very full-blooded characters. Already in the very letter of the text. Hungarians have it, they write juicy. These characters are always full, strong, sexy and charismatic. They are very rich. This is not a nuance, it is a kind of characteristic of a Curved mirror. Here, too, the very choice of text helps to build some kind of personality..."